Re-writing Freud (touch screen kiosk edition)

Re-writing Freud (touch screen kiosk edition), 2005 Arts Council and British Council funding received. This was first exhibited in the exhibition Un Art de Lectures, in Rennes France. It has since toured Scotland, London, Leeds and an electronic festival Prog:Me in Brazil. I created the technical aspect to the work, including the choosing of the kiosk, the installation and programming.

A wall mounted touch screen kiosk, first shown in Rennes, France in Un Art De Lectures / An Art of Readers curated by Yann Serandour.

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Re-writing Freud (book)

Re-writing Freud (book), 2005 Arts Council Funding

BookThis is a cheap jerseys book that was written from the algorithm created for the re-writing Freud 2005 initial version of this SA3D artwork in the Art of Readers exhibition. The program ran through an entire cycle, resulting in the book The Interpretation of Dreams cheap jerseys being rewritten. This was published as a paperback edition.

RE-WRITING FREUD this is a re-written Sigmund Freud’s The Interpretation of Dreams. A computer program randomly selects words, one at a time from Freud’s 223,704 word text and begins to reconstruct the entire book, word by word, making wholesale nba jerseys a new book with the same words.The resulting book was one instantiation of that T01 process, scrupulously typeset according to the dimensions, fonts, chapter divisions and paragraph lengths of the 1976 Penguin paperback edition of cheap mlb jerseys Freud’s work, and printed on equivalent paper stocks. A virus or process of contagion has been at work, intervening in Freud’s The Interpretation of Dreams, rupturing it and returning it to us in a new order. wholesale mlb jerseys By subjecting Disposal Freud’s words to a random re-distribution, meaning is turned into non-meaning and the spectator is put to work to make sense of the new poetic juxtapositions. With a scrupulous formalism, this version of Freud’s text follows the conventions of typographic layout found in the 1976 Penguin edition of Freud’s work. The publication is edited by Craig Dworkin, Associate Professor in the Department of English at the University of Utah.

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